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Artists

.R…L.. (LT/CH)
Agnes Meyer-Brandis (D)
Aifoon (BE)
Andrew Stuck (GB)
Ben Kockelkoren (B)
Bob Verschueren (B)
Bram Thomas Arnold & Eleanor Wynne Davis (GB)
Christelle Fillod (F)
Daniël Djamo (RO)
David Tidoni & Soundstormers (IT)
Els van Riel (B)
Gilles Bruni (F)
Griet Dobbels (B)
Jan Detavenier (B)
Jesse Cremers (B)
Johan Opstaele (B)
Kari Joller (CH)
Lara Dhondt (BE)
Lekkermakery (BE)
Maarten Vanden Eynde (B)
Marga Houtman (NL)
Marie-Hélène Elleboudt (B)
Masashi Echigo (JP/B)
Matthias Cruyssaert
Mima Schwahn (D)
Misha Myers & Deirdre Heddon (GB)
Peter Ankh Aka P. Ankh (IT/ES)
Reg Carremans (BE)
Rhodri Davies (UK)
Sebastian Blasius (D)
Susanna Kudielka & Kaspar Wimberley (DE/ UK)
Sylvie Janssens (B)
Wolfgang Von Leverkühn (D)
Yana K.M. (RU)
Arpia 2012
Johan Opstaele (B)

The video installation `Innerlijke bewegingen van een landschap` (Inner movements of a landscape) that is shown at Arpia 2012, consists partly of a selection from the 160 hours of images that he filmed from his houseboat `MS Dover` of the water that surrounded him. 

Biography
 
Work
 
Arpia

Innerlijke bewegingen van een landschap
(Inner movements of a landscape)

Since 2005 Johan Opstaele focuses mainly on video work in which he researches `the moment`. He started within this framework in 2007 a PhD research entitled: "A la recherche du moment / Framing the moment `

His research starts by observing the movements of water, plants and trees, to subsequently observe the human body with the same researching eye. He finds the `moment` just as important as the `narrative`, which according to him takes too much space in our society, so that too much emphasis is put on cause and effect and too little on the `being`.

A first selection of these video works were to be seen in early 2012 at the Bijloke Campus of the School of Arts in Ghent under the title `Water without Land/ Moment without Narrative`.

The video installation `Innerlijke bewegingen van een landschap` (Inner movements of a landscape) that is shown at Arpia 2012, consists partly of a selection from the 160 hours of images that he filmed from his houseboat `MS Dover` of the water that surrounded him. The work `Self Portrait II`, a reflection of a human silhouette on the moving water surface, finds itself central in the set-up.

 

 

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